The scale between dark (black) and light (white) values. Tactile surface quality is mainly seen through three-dimensional works, like sculptures, as the viewer can see and/or feel the different textures present, while visual surface quality describes how the eye perceives the texture based on visual cues. The surface quality can either be tactile (real) or strictly visual (implied). Texture is used to describe the surface quality of the work, referencing the types of lines the artist created. Open and closed space coincides with three-dimensional art, like sculptures, where open spaces are empty, and closed spaces contain physical sculptural elements. Positive space refers to the areas of the work with a subject, while negative space is the space without a subject. There are different types of spaces an artist can achieve for different effect. Space refers to the perspective (distance between and around) and proportion (size) between shapes and objects and how their relationship with the foreground or background is perceived. A visual representation of chromatic scale is observable through the color wheel that uses the primary colors. The last is chroma or intensity, distinguishing between strong and weak colors. The next property is value, meaning the lightness or darkness of the hue. The first of the properties is hue, which is the distinguishable color, like red, blue or yellow. Color is present when light strikes an object and it is reflected back into the eye, a reaction to a hue arising in the optic nerve. Color Ĭolor is an element consisting of hues, of which there are three properties: hue, chroma or intensity, and value. Form is often used when referring to physical works of art, like sculptures, as form is connected most closely with those three-dimensional works. These objects include cubes, spheres and cylinders. Form įorm is a three-dimensional object with volume of height, width and depth. Rectilinear shapes are viewed as dependable and more structurally sound, while curvilinear shapes are chaotic and adaptable. Simplistic, geometrical shapes include circles, triangles and squares, and provide a symbolic and synthetic feeling, whereas acute angled shapes with sharp points are perceived as dangerous shapes. There are different types of shapes an artist can use and fall under either geometrical, defined by mathematics, or organic shapes, created by an artist. In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new life.
Shape Ī shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. Lines are also situational elements, requiring the viewer to have knowledge of the physical world in order to understand their flexibility, rigidity, synthetic nature, or life. There are different types of lines artists may use, including, actual, implied, vertical, horizontal, diagonal and contour lines, which all have different functions. Lines describe an outline, capable of producing texture according to their length and curve.
Lines are marks moving in a space between two points whereby a viewer can visualize the stroke movement, direction, and intention based on how the line is oriented.
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